Idul Fitri Days

Nama              : Ludfi Satria N

Kelas              : 4KA23

Npm                : 16114146

All Muslim around the world have to celebrate Idul Fitri days. The big day where we celebrate after taking a month of fasting and praying to Allah. That special day will lead Muslim to joy and happiness, we forgive each other, gathering with bounch of family, share our story and tied up the relationship.

For me, Idul Fitri means gather with all my family and having long holiday while taking trip to the Grandma’s hometown. We are celebrate Idul Fitri in my granma’s every year.

I really love spending my Idul Fitri day in Grandma’s home. There will be a lot of family, a lot of delicious foods, and so much fun. In Indonesia we always eat Ketupat and Opor ayam in Lebaran day. It’s kinda usual food that we would eat in Lebaran day, it’s one of our culture. And then Rendang, one of Indonesian famous food which has internationally known. We also eat another traditinal food such us Manisan kolang – kaling, Timphan, Cenil, kue jala, and many more.

My father use to meet up with his childhood friends. Spending time with them, gathering and have a chit chat. This moment would give so much fun and happiness. Idul Fitri is one of Muslim great day, we share happiness with our relatives, forgive eachother, praying and worship to Allahf for better life.

The next day was our turn to visit their homes. We visited our relatives’ home there one by one. It was quite exciting and fun because we had to look around first before finding their homes. We went around by driving car and through quite extreme roads. These activities were so much fun, because we could share stories and foods.

Exetcises 2

Nama              : Ludfi Satria N

Kelas              : 4KA23

Npm                : 16114146

UNIT 114 EXERCISES

114.1   In this exercise you have to complete the sentences. Each time use at, on, or in with one of the phrases from the box

 

1.      Columbus discovered America in the 15^th century

2.      The first man landed on the moon on 21 July 1969.

3.      In britain football matches are usually played on saturdays

4.      You can see the stars at night if the sky is clear.

5.      In britain children have to start school at the age of five.

6.      Jazz become popular in the united states in the 1920s.

7.      Its difficult to listen when everyone is speaking at the same time.

8.      The russian revolution took place in 1917.

9.      Tom isn’t here in about five minutes. He’ll be back at the moment.

114.2   Put in the correct proportions : at, in, on.                                                                  Examples : The concerts starts at 7.45. I learnt to drive in four weeks.

1.      The course begins on 7 January and ends on 10 March.

2.      I went to bed at midnight and got up            at 6.30 in the morning.

3.      We travelled overnight to Paris and arrived at 5 o’clock in the morning.

4.      Mozart was born in salzsburg in 1756.

5.      Are you doing anything special at the weekend?

6.      Hurry up! We’ve got to go at five minutes.

7.      I haven’t seen Ann for a few days. I last saw her on Tuesday.

8.      I’ll phone you on Tuesday morning at about 10 o’clock, okay?

9.      I might not be at home in the morning. Can you phone at afternoon instead?

10.  Tom’s grandmother died in 1977 at the age of 79.

11.  Jack’s brother is an engineer but he’s out of work at the moment.

12.  The price of electricity is going up on October.

13.  On Sunday afternoons I usually go for a walk in the country.

14.  There are usually a lot of parties at New Years Eve.

15.  I like walking round the town            at night. It’s always so peaceful.

16.  Do you fancy going to the cinema on Friday night?

17.  Tom doesn’t see his parents very often these day usually only at Christmast and sometimes in the summer for a few days.

18.  I’ve been invited to wedding on 14 February.

19.  Im just going out to do some shopping. I’ll be back in half an hour.

20.  Carol got married at 17, which is rather young to get married.

21.  Ann works hard during the week, so she likes to relax at the week-ends.

22.  It was quiet short book and easy to read. I read it in a day.

23.  The telephone and the doorbell rang at the same time.

24.  Mary and Henry always go out for a meal at their wedding anniversary.

25.  Mr.Davis is 63. He’ll be retiring from his job in two years time.

Exercises 1

Nama              : Ludfi Satria N

Kelas              : 4KA23

Npm                : 16114146

The words and expressions in the following sentence are not in the correct order. Put these separated sentence elements into their normal positions. Do not add or eliminate any words or expressions. Capitalize in the first word in each sentence, and add the proper punctuation at the end of the sentence.

1.      Every day – at the school cafetaria – our lunch – we don’t eat.

We don’t eat our lunch at the school cafetaria every day.

2.      Those fellows – will – remain – how long – in Washington, D.C.

How long those fellows will remain in Washington,D.C.

3.      An official – about this rule – a question – the two men asked.

The two men asked an official a question about this rule.

4.      Whose name was Prus – lived – at that time – in Poland – a writer.

A writer whose name was Prus lived in Poland at that time.

5.      The flowers – to see – its wonderful – in the spring – come to life

It’s wonderful to see the flowers come to life in the spring.

6.      Are mine – the purse – and – the coat – with the red collar – with the handle

The coat with the red collar and the purse with the handle are mine.

7.      This fine sport – don’t – enjoy – why – you americans – please tell me

Please tell me why you Americans don’t enjoy this fine sport.

8.      Only in the winter – lives – in this part of country – that bird

That bird lives in this part of country only in the winter.

9.      To their daughter – for her birthday – a bracelet – they sent

They sent a bracelet to their daughter for her birthday.

10.  Television – watches – seldom – during the afternoon – my wife

My wife seldom watches television during the afternoon.

11.  For most artists – is – Paris – to work – a very good place

For most artists Paris is a very good place to work.

12.  Those letters – yesterday – to Mr.Fox – delivered – the postman

The Postman delivered those letters to Mr. Fox yesterday.

13.  The car – to the country – drove – last weekend – the two men

The two men drove the car to the country last weekend.

14.  Is very interesting – on the table – of the glass bowl             - the shape

The shape of the glass bowl on the table is very interesting.

15.  Today – cold – is it – enough – for a heavy winter overcoat

Is it cold enough for a heavy winter overcoat today

16.  Was – to me – the whole idea – new and unusual – something

The whole idea was something new and unusual to me.

17.  The large red house – is – Mr.Anderson’s – next to ours

The large red house next to ours is Mr. Anderson’s.

18.  We’re finished – more than 50 – the manager said – in two days

The Manager said we’re finished more than 50 in two days.

19.  The two suitcases – moved – the man – to his wife – closer

The man moved the two suitcases closer to his wife.

20.  The examinations – so far – have – taken – how many students

So far how many students have taken the examinations

Movie Review - COCO

MOVIE DETAILS

Directed by                    Lee Unkrich

Produced by                  Darla K. Anderson                             

Screenplay by                Adrian Molina

                                       Matthew Aldrich

Story By                                    Lee Unkrich

                                       Jason Katz

                                       Matthew Aldrich

                                       Adrian Molina

Starring                          Anthony Gonzalez

                                       Gael García Bernal

                                       Benjamin Bratt

            Alanna Ubach

            Renée Victor

            Ana Ofelia Murguía

            Edward James Olmos

Music by                        Michael Giacchino

Cinematography            Matt Aspbury

                                       Danielle Feinberg

Edited by                       Steve Bloom

                                       Lee Unkrich

Production company     Walt Disney Pictures

                                       Pixar Animation Studios

Distributed by               Walt Disney Studios Motion Pictures

Release date                  October 20, 2017 (Morelia)

                                       November 22, 2017 (United States)

Running time                 105 minutes

Country                         United States

Language                       English

REVIEW

Being simultaneously life-affirming and death-obsessed is a tough act for any film to pull off, but Coco manages it. This might start bringing Pixar studios back from the dead. I’d feared the worst from this movie’s Mexican Day of the Dead trope, expecting a tiresome parade of sub-Halloweeny horror masks under a sombrero of cliches. Actually, it’s an engaging and touching quest narrative, with some great spectacle, sweet musical numbers and on-point stuff about the permeability of national borders.

Coco is conceived on classic lines, certainly, but has that rarest of things in movies of any sort – a real third act and an interesting ending. It has something to say about memory and mortality and how we think about the awfully big adventure waiting for us all, which finally incubated an unexpectedly stubborn lump in my throat. This film has a potency that Pixar hasn’t had for a while, and for suppressed tears, the last five minutes of Coco might come to be compared to the opening montage of Up.

We find ourselves in Mexico, where a kid called Miguel (voiced by Anthony Gonzalez) lives in a small town with his extended family, including his ancient great-grandmother Coco, who is poignantly on the verge of succumbing to dementia. Miguel dreams of being a musician such as the mega-celebrity singer Ernesto De La Cruz (voiced by Benjamin Bratt) who became a screen star and recording legend before being crushed to death by a falling bell in 1942. But, like Billy Elliot shoved into the boxing ring, Miguel is all set to join the family’s trade: making shoes.

The reason is that his folks have their own deeply internalised betrayal myth: Coco’s father was a vagabond musician who ran out on a young wife and infant daughter to chase his musical dreams. The family has sworn never to have anything to do with music and has even torn this man’s image from the family photograph: that vitally important image without which an ofrenda cannot be made for the Day of the Dead when the departed come back for a visit.

Miguel makes what he thinks is a sensational discovery: this disgraced ancestor was in fact the legendary lantern-jawed charmer Ernesto de la Cruz, and when a cosmic quirk of fate puts Miguel accidentally in the Land of the Dead, his mission is to make contact with De la Cruz and get his all-important blessing to return to the living world and pursue his musical destiny.

Of course, in the time-honoured style, Miguel needs a quirky/unreliable helpmeet for the journey and this is a deceased scallywag called Héctor (voiced by Gael García Bernal) whose body has a habit of collapsing and reforming with a xylophone clatter. As with all the comic wingmen in this kind of film, Héctor is a mix of Sancho Panza and Don Quixote.

In the real world, the Day of the Dead, with its endlessly Instagrammable images, is danger of becoming the west’s condescending gap-year obsession. Coco – which can be compared to the Guillermo del Toro-produced movie The Book of Life – takes a particular line on this phenomenon: that it is an empowering, family-friendly folk myth that puts us in touch with our heritage.

Another way of thinking about it is that it’s a raucous, satirically challenging and deliberately transgressive tradition that glories in the physical intractability of death and thereby mocks the pretensions of powerful but all-too-mortal rulers: which is, incidentally, the tradition that Eisenstein responded to for his unrealised Mexico film Que Viva Mexico!

Well, that is not what Coco is about; it is more emollient. Perhaps like Orpheus with his lyre, Miguel’s way with a guitar will get him back to the world of life and the world of music, without which, of course, a living death is all he has to look forward to wherever he happens to be.

He, and we, absorb the news that the Land of the Dead is not the same as eternity. These vivified skeletons beyond the grave exist there only as long as someone back on Earth remembers them, which is why the photo piety of the domestic shrine is so important. It is a gigantic Valhalla of private and public celebrity. Oblivion means death and De la Cruz’s most famous song was called Remember Me. This is a charming and very memorable film.

                 MORAL MESSAGES

1.            LESSON #1: EXPLORE THE “DAY OF THE DEAD” CUSTOM--

The annual “Dia de Muertos,” or “Day of the Dead,” holiday is upon Santa Cecilia and altars called "ofrendas" are being adorned at homes and gravesites with pictures, marigolds, candles, and treats to invite the deceased to revisit their families in the land of the living.  The end credits of Coco document expansive research teams and encourage interested viewers to learn more about Dia de Muertos at their library.  Take them up on that advice.

2.            LESSON #2: THE BENEFITS OF BEING MUSICALLY INCLINED--

One character in Coco declares “never underestimate the power of music.”  The stir of music is undeniable.  Embrace it.  Tap into that.  Exercise your brain to learn an instrument and share that passionate talent with others.

3.            LESSON #3: THE LIVING KEEP THE DEPARTED ALIVE--

The memories of those still here are what keep those deceased from being forgotten.  Every reminisced story or passed-on tale of influence and inspiration create a shared consciousness.  Dia de Muertos takes that ideal to a large and celebratory level in making this life lesson a family responsibility.  Death requires inevitable acceptance and all memories eventually fade with generations and time, but stronger familial roots can hold that loss away longer.